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Suicide Onstage: What Green Day's Theatrical Debut Means

There is a lot of sound and fury over the upcoming stage version of American Idiot.  Unfortunately, it signifies nothing.  The recent announcement that Berkeley Repertory had at long last assembled the creative team for the opener of their '09/'10 season with the world premiere of the trio's iconic American Idiot has produced a variety of reactions, from open hostility to unrestrained excitement.

Me?  I just think it raises some questions about whether Green Day is headed for the dustbin of history.  

"My Grind is my Stimulus Plan"

By now we've all heard ad nauseam that President Obama is a "fan" of hip-hop.  He has Jay-Z on his iPod, he loved its "entrepreneurial spirit," and, is still famously being referred to as "the first hip-hop president."

But if anything can be taken from Obama's recent address to the NAACP, it's that his understanding of hip-hop is, shall we say, a bit different from most people's.  Rehashing the tired rhetoric from his post-nomination campaign, he claimed that there were now "no excuses" for blacks not pulling themselves up by their bootstraps.  

Can You Feel The Vibe?

No matter what you thought of Vibe magazine--whether you found their coverage insightful or passe, tantalizing or unbearably boring--there is one thing all sides can agree on: as the American economy continues to flounder, Vibe's June 30th demise won't be the last in the world of music press.

With Arms Closed: Why We Should Hate Creed

WARNING: the following sentence may cause you to vomit a little bit in your mouth.

Creed have reunited and are releasing a new album.

When these four "good Christian lads" rocketed to the top in the late '90s, it was because there was damn little happening in rock 'n' roll.  Grunge, which had shaken the very foundations of popular music earlier in the decade, had receded.  Rock returned remarkably fast to a plain, unassuming status quo.

How Michael Jackson's Music Changed the World

The last 15 years of Michael Jackson's life are almost enough to obscure the true greatness of this artist. During that time, we saw the handsome, charming pop star go through myriad plastic surgeries that made him look more like a latter-day Peter Pan. We saw the trappings of unprecedented fame manifested in beyond bizarre behavior--the kind for which "eccentric" seems a mild term.

Son of Nun Interview, Part 2

As the evening continued (and the alcohol flowed), my conversation with Son of Nun drifted into even deeper territory. To SON, one of the underground's most socially active rappers, the correlation between art and politics is never static. It is ever shifting, morphing, presenting new challenges to artists who wish to make a difference beyond the strictures of "the music world."

Son of Nun Interview, Part 1

Call it a hazard of the profession. I’ve interviewed many artists in all different genres, and while all have been more than willing to open up about their music, cracking into their opinions about all the myriad issues that surround us—politics, culture, race, sex, even the human condition itself—has proven something of a challenge. The way music is presented nowadays, it’s no wonder that so many musicians and artists would rather play it close to the vest. The iron wall that has been drawn between the creator and the reporter is a tough one to breach.

Plague Lovers' Purgatory

In a career almost twenty years long, the Manic Street Preachers have never gained a massive following in the US. In their native UK, the Manics have been among those ranks of bands that everyone knows--their songs became drunken anthems in London's working-class pubs long before the boys of Oasis even formed. 

Their music has always skated dangerously close to Rock 'n' Roll's edge--blistering guitar licks, a rhythm section that refuses to be part of the background, and lyrics that play as much with "I-don't-give-a-shit" nihilism as they do with meaning and purpose. While Grunge may have brought a youthful anger back to Rock, few American groups gave it a direction. 

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